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Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. See full summary » A French UN delegate has disappeared into thin air, sending reporter Moreau (Jean-Pierre Melville) and hard drinking photographer Delmas (Pierre Grasset) on an assignment to find him. Bob, an old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Deauville. First or not, French New Wave or not, "Bob le Flambeur" is one of the coolest and memorable films I've seen.

Everything is planned exactly, but the police is informed about the planned coup. The most fascinating element of this exquisite crime/dram/noir film is its title character, Bob Montagne- Bob the Gambler (Roger Duchesne).

Meanwhile in the Casino Bob starts to gamble.: I returned 10 years later, early one morning. All women wanted to be with him and all young men wanted to be him.

I saw an old woman on her knees, scrubbing away, as she always had. He was the man well respected and liked by the cops, the criminals, and the gamblers alike - the king of cool, the elegant loser with his own respectable code of honor.

See more » Jean-Pierre Melville's "Bob le Flambeur" (1955) has been often called the first film of the French New Wave.

He drove an American car and wore an American hat but he belonged to the streets of Montmartre, Paris, where he was born just as the film itself that could've been only made by a French director who admired American films and had created a perfect blend of American gangster film and French sophisticated comedy of manners.

Made back in 1955, the movie is fresh, crisp, sensual, modern and simply delightful.

Having watched already all "Ocean's" movies, including Frank Sinatra and the Rat Pack's classic, I see where the inspiration for them came from.

"Bob Le Falmbeur" was released in the USA in 1982, nine years after Melville's death and became an instant cult hit.

Often, cult movies are not the best made but it is not true in the case of "Bob le Flambeur".

Its direction is perfect: seemingly simple and truly elegant, its cinematography is beautiful, its music score is amazing and its characters are not the caricatures - they are the real human beings of flesh and blood and they have something (or a lot) to lose.

Acting is great by everyone with Roger Duchesne unforgettable and Isabelle Corey as a young streetwalker Anne whom Bob took under his wing, absolutely marvelous in her first role - child-like innocent yet already perfectly aware of her powers over the men, by the words of Bob's friend, "she will go far -she knows what she wants but does not show it".